The award-winning Drawmer 1970s Range captures the bold spirit of an era when solid-state innovation and FET circuits transformed the sound of modern music. Built on the characterful designs of the decade and refined with contemporary engineering, these processors deliver fast, punchy dynamics, unmistakable colour and a uniquely expressive sonic attitude.
Every unit in the 1970s Range is designed and hand-built in the UK, upholding Drawmer’s legacy of quality and craftsmanship.
The Drawmer 1970 modernises the spirit of the 1960 with ultra-clean preamps, musical FET compression, and flexible dual-mono/stereo operation — delivering precision, punch, and classic character for tracking, mixing, and bus work.
The Drawmer 1971 is a dual-channel parametric EQ that blends surgical control with vintage musicality. Stepped controls, variable filters, adjustable slopes, and the signature Crush circuit add weight, presence, and sheen to any source.
The Drawmer 1972 captures detail with remarkable ease, combining pristine gain, Shape, variable impedance, and the unique Lift circuit to provide unmatched versatility for handling even the most demanding or unconventional sources.
The award-winning Drawmer 1973 delivers three-band FET compression for unmatched control and musical shaping. With Big and Air filters plus built-in parallel mix, it outperforms full-band designs in precision and tone sculpting.
The Drawmer 1974 delivers a vintage-inspired four-band stereo EQ offering warmth, musicality, and precise tonal shaping — a modern refinement of the classic 1970s analogue sound, built for contemporary production workflows.
The Drawmer 1976 adds colour, width, and dynamic energy to any mix, blending three-band analogue saturation with stereo expansion to create characterful, expressive enhancement rooted in iconic 1970s tonal shaping.
The Drawmer 1977 is a full analogue channel strip featuring an ultra-clean preamp, three-band parametric EQ, soft-knee compression, and three flavours of harmonic saturation — delivering clarity, control, and vintage-inspired richness in one unit.
The award-winning Drawmer 1978 blends characterful FET compression with tone shaping, controlled harmonic distortion, and parallel mix control, giving engineers total command of dynamics with warmth, precision, and creative flexibility across any mix.
The Drawmer 1979 combines a pristine preamp, smooth FET compression, parametric EQ, and the Lift circuit for effortless tone enhancement — capturing performances with greater clarity, musicality, and the timeless character of classic analogue workflow.
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I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my… Read more
I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.
We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.
The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.
We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.
Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.
I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used… Read more
I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.
