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1974

Stereo Parametric Equaliser

The Drawmer 1974 is a fully stereo, four-band parametric equalizer designed to deliver classic analogue warmth with modern accuracy. With stereo-linked controls, precision stepped potentiometers, and variable bandwidth on the mid bands, it offers fast, intuitive operation with reliable recall. Fully sweepable low- and high-cut filters, selectable slopes, and a unique Peak mode provide exceptional flexibility, making the 1974 equally effective for tracking, mixing, and mastering where musical tone and precise control matter.

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Vintage Tone with Modern Precision
The Drawmer 1974 is a fully stereo, four-band parametric equalizer that blends classic analogue musicality with the control and accuracy demanded by modern studios. Designed for everything from subtle tonal refinement to bold sonic shaping, it delivers warmth, depth, and clarity that plug-ins struggle to replicate.

True stereo operation means a single set of controls governs both channels, making adjustments fast, intuitive, and perfectly matched. Precision stepped potentiometers ensure accurate left/right tracking, while indented controls allow reliable recall for mixing and mastering workflows.

Genuine Stereo Operation, Intuitive Workflow
With stereo-linked architecture, every adjustment affects both channels simultaneously. Each control is hand-matched by Drawmer technicians to tight tolerances, ensuring consistent, repeatable results. This makes the 1974 especially effective on stereo buses, subgroups, and mastering chains where accuracy is critical.

Four-Band Parametric EQ with Variable Bandwidth
Each of the four bands offers fully variable frequency selection with ±12 dB of cut or boost. The two mid bands feature continuously variable bandwidth, allowing ultra-surgical correction or broad, musical shaping. Whether removing problem resonances or sculpting tone creatively, the 1974 adapts effortlessly.

Precision Low- and High-Cut Filtering
Fully adjustable low- and high-cut filters provide detailed control at the frequency extremes. The low-cut (high-pass) filter sweeps from 10 Hz to 225 Hz, while the high-cut (low-pass) filter ranges from 4 kHz to 32 kHz. These sweepable filters allow unwanted rumble, hiss, or excess top end to be removed cleanly, improving headroom and maintaining mix clarity.

Switchable Slopes and Musical Peak Mode
The 1974 stands apart with adjustable filter slopes. The low band offers 6, 9, or 12 dB-per-octave options, while the high band provides 6 or 12 dB-per-octave selection. A unique Peak mode on the low band introduces a focused boost just before roll-off, adding punch and definition to kick drums and bass while controlling subsonic energy.

“A great choice if you’re looking for a classic-styled but affordable EQ.”
— Stefan Wyeth, Gearnews.com

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim