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1978

Stereo Tone Shaping FET Compressor

The Drawmer 1978 is a powerful stereo bus compressor designed to bring cohesion, character, and creative control to mixes and submixes. Blending classic soft-knee compression with tonal shaping, harmonic saturation, and true parallel processing, it allows engineers to quickly craft polished, musical results. Four selectable Character modes, variable Saturation, and a flexible side-chain EQ make it easy to glue a mix, enhance punch, smooth harshness, or add analogue warmth without sacrificing clarity. Built in a compact 1U chassis and engineered to Drawmer’s exacting standards, the 1978 is a versatile centrepiece for modern mixing and mastering workflows.

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Compression, Character & Creative Control
The Drawmer 1978 is a stereo bus compressor designed to do far more than control dynamics. Combining musical compression, tonal shaping, harmonic colour, and parallel processing in a compact 1U chassis, it makes crafting a polished, signature sound fast and intuitive.

Glue a mix together, reinforce the low end, smooth aggressive highs, add warmth, introduce subtle saturation, or enhance stereo width — all while keeping recordings musical, cohesive, and unmistakably analogue.

Characterful Stereo Bus Compression
Alongside classic Threshold, Ratio, Attack, and Release controls, the 1978 introduces four selectable Character modes, each offering a distinct compression flavour. A variable Saturation control adds harmonic richness and energy, from subtle warmth to more pronounced analogue colour.

The flexible side-chain EQ includes low- and high-frequency filters with selectable shapes and variable frequencies, making it easy to avoid unwanted pumping, enhance groove, or perform creative tasks such as de-essing. A wet/dry Mix control delivers true parallel compression directly within the unit, allowing precise blending of dynamics without external routing.

“The Drawmer 1978 is a flexible, well thought out new product… The combination of compression types, harmonic distortion and EQ sculpting is going to make it extremely useful.”
— Nick Mitchell, KMR Audio

Everything at Your Fingertips
The front panel is laid out for speed and clarity, giving instant access to every stage of processing:

  • Compression: Threshold, Ratio, Attack, and Release with clear gain reduction metering
  • Character: Four compression modes and variable Saturation for warmth, punch, or stereo enhancement
  • Shaping: Side-chain EQ with adjustable LF and HF filters, plus insert points for external processing
  • Output: Wet/Dry Mix and Output Level controls for effortless parallel compression and level matching
  • Metering: Dual-colour backlit VU meters display saturation activity and fast-reacting output level at a glance

Built for Professional Reliability
Designed and built in the UK, the 1978 features a fast-reacting dual-colour VU meter, time-delay relays for silent power-up and power-down, and a low-hum toroidal linear power supply for clean, dependable performance. Premium components and thoughtful engineering ensure consistent results session after session.

Award-Winning Design
Recognised for its innovation, flexibility, and sound quality, the Drawmer 1978 is the proud winner of the Resolution Award 2016 in the Dynamics category, cementing its status as a modern classic in stereo bus compression.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim