1971

Vintage Character & Harmonic Control
The Drawmer 1971 is a dual-channel, four-band parametric equalizer that balances precision with unmistakable analogue warmth. It delivers the accuracy required for subtle tonal refinement and fast recall, while offering the ability to sculpt bold, musical curves that bring depth and character to any source.

Central to the 1971’s identity is the CRUSH circuit — a unique harmonic saturation stage available on every EQ band. By introducing controlled distortion, CRUSH recreates the feel of driving a vintage console or tape machine. From gentle colour to assertive grit, it adds weight to drums, presence to vocals, and sheen to full mixes.

Versatile & Accurate Equalisation
Each channel features four fully parametric EQ bands with variable frequency selection and ±12 dB of cut or boost. Precision-stepped potentiometers ensure consistent, repeatable results, making the 1971 ideal for workflows where recall and stereo accuracy matter.

The two mid bands include continuously variable bandwidth control, allowing anything from tightly focused corrective EQ to wide, natural tonal shaping. This flexibility makes the 1971 equally effective for problem-solving, enhancement, or creative sound design, while retaining the musical response of a true analogue circuit.

Filters & Slope Control
Fully variable high-pass and low-pass filters provide precise control over unwanted extremes. The low-cut filter sweeps from 10 Hz to 240 Hz, while the high-cut filter ranges from 4 kHz to 31 kHz, enabling accurate removal of rumble, hiss, or excess energy without compromising musical balance.

The low and high bands also feature selectable slope control, offering 6, 9, or 12 dB per octave responses chosen for their smooth, musical behaviour. A dedicated Peak mode adds a focused boost at the knee of the low filter, reinforcing punch and impact — particularly effective on kick drums — while still filtering subsonic content.

CRUSH Harmonic Saturation
CRUSH is fully progressive: the more EQ boost applied, the stronger the harmonic saturation becomes. In the low frequencies it fattens kick drums, bass, and toms; in the midrange it adds warmth and density to vocals, guitars, and percussion; and at the top end it introduces shimmer, air, and presence.

An instant CRUSH bypass allows easy A/B comparison, while the EQ overload LED provides clear visual feedback when applying heavier boosts. With CRUSH engaged, the 1971 becomes more than an equalizer — it is both a precision corrective tool and a powerful source of vintage analogue colour.