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1970

Dual FET Compressor & Pre-Amplifier

The Drawmer 1970 is a dual-channel microphone preamplifier and FET compressor designed to deliver maximum flexibility without compromising sonic integrity. Combining ultra-clean THAT-based preamps, creative impedance options, comprehensive dynamics control, and parallel compression, it adapts seamlessly to tracking, mixing, and live sound applications.

With its refined DI EQ, stereo linking, BIG and AIR modes, and fully balanced hard-wire bypass, the 1970 functions as an all-purpose recording channel capable of handling microphones, instruments, line-level sources, and stereo buses with equal confidence. It is a modern evolution of the Drawmer 1960, engineered for engineers who demand precision, versatility, and creative freedom.

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Ultra-Versatile Vintage Character with Maximum Control
Building on the legacy of the acclaimed Drawmer 1960, the Drawmer 1970 expands the concept into one of the most flexible mic pre-amplifier and compressor combinations available today. It blends vintage-inspired character with modern precision, offering an exceptional range of routing, control, and creative options for studio and live use.

While the layout will feel familiar to users of the 1960, the 1970 introduces meaningful refinements throughout. The DI EQ has been reworked for improved accuracy, and the signal path enhanced to deliver greater clarity, consistency, and control across all operating modes.

Pristine Pre-Amplifiers
At the heart of the 1970 are dual microphone pre-amplifiers built around the latest THAT Corporation technology. These deliver ultra-clean, transparent recordings, providing a neutral foundation that can later be shaped using valves, transformers, saturation, tape, or external processing.

Each channel offers up to 66 dB of gain and includes switchable microphone impedance for precise matching with any microphone. Phantom power, phase reverse, and a high-pass filter are included as standard, ensuring flexibility across a wide range of recording scenarios.

Super-Clean Hard-Wire Bypass
Engaging the fully balanced hard-wire bypass connects the input directly to the output, completely removing the compressor FETs, mix circuit, and gain stages from the signal path. This provides the cleanest possible route from microphone to output, ideal for critical tracking and transparent signal capture.

Creative Mic Impedance Control
The 1970 transforms microphone impedance into a creative tool. In addition to standard matching, deliberate impedance mismatching allows tonal exploration and character shaping. With selectable settings of 200, 600, and 2400 Ohms, the resulting tonal changes range from subtle refinement to pronounced colour, depending on the microphone and source.

Dual-Channel FET Compression
The onboard FET compressors provide full control over threshold, ratio, attack, and release, along with Drawmer’s exclusive BIG and AIR modes to enhance low-frequency weight and high-frequency openness. The two compressors can operate independently in mono or be linked instantly for stereo bus compression.

Mix Control for Parallel Compression
Each channel includes a Mix control for effortless parallel compression. By blending compressed (wet) and uncompressed (dry) signals, you can retain natural dynamics while adding punch and density — from subtle enhancement to more assertive compression — without complex routing or external mixers.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim