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1979

1U Channel Strip

The Drawmer 1979 is a refined modern channel strip that captures the soul of classic analogue recording while delivering the precision and flexibility required in today’s studios. Designed as an all-in-one recording solution, it combines an ultra-clean pre-amplifier, Drawmer’s unique Lift dynamic control, a musical three-band parametric equalizer, and a smooth soft-knee FET compressor in a compact 1U rackmount.

From transparent vocal tracking to characterful instrument recording, the 1979 adapts effortlessly. Switchable EQ and compressor order, independent bypasses, and parallel mix control allow engineers to shape tone and dynamics exactly as needed, while preserving clarity, headroom, and musicality. Whether used as a pristine front end or a creative tone-shaping tool, the Drawmer 1979 delivers detail, control, and unmistakable analogue warmth on every source.

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Capture Every Detail, Every Time
The Drawmer 1979 is a modern interpretation of the classic channel strip, combining pristine signal capture, refined tone shaping, and musical vintage-style compression in a single, elegant 1U unit. Designed for engineers who demand clarity without sterility, it delivers true analogue musicality across tracking, mixing, and production workflows.

At its core, the 1979 brings together an ultra-clean pre-amplifier, Drawmer’s unique Lift dynamic control, a precise three-band parametric equalizer, and a smooth soft-knee FET compressor. With switchable EQ and compressor order in the signal path, plus independent bypass for each section, it offers exceptional flexibility and control over tone and dynamics.

Pristine & Versatile Pre-Amplifier
The 1979 features mic, line, and instrument DI inputs with up to 66dB of stepped gain, making it equally capable of capturing transparent vocals, enhancing dull sources, or refining instrument tone with confidence. Its ultra-low-noise design preserves detail and depth at every gain stage.

Switchable input impedance allows precise microphone matching, helping every mic reveal its optimal character. From modern condensers to vintage dynamics and ribbons, the 1979 ensures each source finds its natural sweet spot.

Lift – Bring Quiet Details to Life
First introduced on the Drawmer 1972, Lift is a dynamic gain process that enhances quieter signals below 0dB while leaving louder passages untouched. Rather than compressing, Lift intelligently adjusts gain in real time, gently reducing dynamic range without pumping, distortion, or compression artefacts.

Perfect for vocals, fingerstyle guitar, piano, and ambience, Lift brings subtle details forward with ease. It’s a true “set and forget” solution that adds balance, presence, and clarity without adding noise.

Precise Parametric Equaliser
The three-band parametric EQ provides fully variable frequency control with ±12dB of cut or boost, alongside a switchable bandwidth control on the mid band. Its response is smooth and musical, allowing for delicate tonal enhancement as well as more focused corrective shaping.

Whether gently opening a vocal, tightening low mids, or addressing resonant problem areas, the EQ remains transparent and controlled, never harsh or clinical.

Vintage FET Compression
The soft-knee FET compressor delivers the signature Drawmer compression sound: smooth, responsive, and musical. From subtle vocal levelling and mix cohesion to more assertive drum or instrument control, it adapts effortlessly to the task at hand.

Output Stage & Final Control
The output section includes a wet/dry Mix control for parallel processing, letting you blend EQ and compression precisely to taste. Output Gain provides accurate level matching or make-up gain for downstream equipment.

A large backlit analogue VU meter offers clear, reliable level monitoring, while the bypass function disables both EQ and compression to deliver a pure, uncoloured signal directly from the pre-amplifier when required.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim