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1972

Dual Mic, Line & Instrument Pre-Amplifier

The Drawmer 1972 Dual Mic, Line & Instrument Pre-Amplifier is a precision front end built for engineers who need absolute clarity with intelligent control. Designed around ultra-clean THAT Corporation circuitry, it delivers pristine gain for microphones, instruments, and line sources while offering advanced tools to handle difficult recording scenarios.

With fully variable high-pass and low-pass filters, a musical Shape control, switchable mic impedance, and the innovative Lift function for low-level signals, the 1972 goes far beyond a conventional preamp. It captures subtle detail without noise, manages wide dynamic swings effortlessly, and provides creative tonal flexibility at the recording stage. Recognised with a TEC Award nomination at NAMM 2024, the 1972 stands as a modern, professional-grade pre-amplifier built to solve real-world recording challenges.

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Pristine Pre-Amplifier with Lift
The Drawmer 1972 Dual Mic, Line & Instrument Pre-Amplifier is designed to make capturing pristine recordings effortless. Delivering exceptional clarity and headroom, it performs equally well with everything from budget dynamic microphones to the most demanding ribbons and condensers.

Unlike conventional pre-amplifiers, the 1972 integrates a set of intelligently designed tools that tackle difficult recording situations head-on. These refinements give it a distinct advantage when working with challenging sources, low-level signals, or fluctuating dynamics.

Capture Difficult Sources with Ease
Beyond essential features such as phase reverse, the 1972 includes powerful corrective and tone-shaping controls that simplify problematic recordings. Fully variable high-pass and low-pass filters allow precise removal of unwanted rumble, hiss, or low-frequency build-up directly at the source.

Complementing these filters is the Shape control — a musical tilt EQ that rebalances bass and treble in a natural, intuitive way. This allows fast tonal correction without the complexity of traditional multi-band equalisation.

Ultra-Clean, Transparent Gain
Built around the latest THAT Corporation technology, the 1972’s dual microphone pre-amplifiers deliver ultra-clean, transparent gain with exceptional headroom. Each channel offers up to 66 dB of stepped gain, supported by an additional ±12 dB output trim for precise level matching.

Switchable microphone impedance ensures accurate matching with any mic, while also enabling subtle tonal adjustment when working with passive, dynamic, or ribbon microphones.

Lift – Record Very Low Signals
Originally pioneered on the 1972, the Lift control makes recording very low-level signals both easy and musical. It transparently raises quieter details without introducing noise or affecting louder passages, preserving natural dynamics even when signal levels vary dramatically.

Technically, Lift leaves signals above 0 dB untouched, progressively increasing gain below that point — adding up to 10 dB between 0 and –30 dB, and a further 10 dB beneath –30 dB. This makes it particularly effective for piano, vocals, ambience, and other dynamically expressive material.

Creative Use of Variable Mic Impedance
With three selectable input impedance settings — 200, 600, and 2400 Ohms — the 1972 supports both precise microphone matching and creative tonal exploration. Different microphones and sources react uniquely, ranging from subtle refinement to more pronounced character shifts, adding an extra dimension of control at the recording stage.

Industry Recognition
The Drawmer 1972 has been recognised by the professional audio industry and was nominated for a prestigious TEC Award at the 2024 NAMM Show — a testament to its innovation, performance, and real-world usefulness.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim