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1973

Three-Band Stereo FET Compressor

The Drawmer 1973 is a three-band stereo FET compressor that delivers precise, musical dynamics control across the entire frequency spectrum. By compressing low, mid, and high bands independently, it allows targeted shaping without pumping, breathing, or loss of clarity. Drawing on decades of Drawmer expertise and inspired by the S3, 1960, and 1968, the 1973 combines transparent control with unmistakable analogue character. Signature BIG and AIR modes add weight and sparkle while keeping compression natural, making the 1973 equally powerful for mixing, mastering, and creative sound design.

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Three-Band Precision with Natural Musical Control
The Drawmer 1973 is a three-band stereo FET compressor designed to deliver a level of control and musicality that no full-band compressor can achieve. By working independently across low, mid, and high frequencies, it allows you to shape dynamics with exceptional precision while preserving clarity, depth, and headroom.

Drawing on more than three decades of Drawmer dynamics expertise, the 1973 blends the technical precision of the S3 with the warmth and character associated with the 1960 and 1968. The result is intuitive, transparent multiband compression in a compact, studio-ready unit.

BIG & AIR — Depth and Sparkle at the Touch of a Button
Borrowed from the acclaimed S3, the BIG and AIR switches function as musical dynamic EQs rather than simple tone boosts. They enhance the sound while reducing how those frequencies influence the compression detector, adding clarity and impact without unwanted artefacts.

BIG reinforces low-frequency weight and punch without triggering excessive compression, making kicks, bass, and full mixes feel solid and controlled.

AIR opens the high end with smooth shimmer, bringing definition to vocals, cymbals, and acoustic instruments without harshness.

Used together, BIG and AIR add balance, depth, and polish — a defining part of the 1973’s signature sound.

True Multi-Band Compression
The incoming signal is split into low, mid, and high frequency bands using precision crossover filters. Each band is compressed independently before being recombined, giving you detailed control over the entire spectrum.

This allows targeted dynamic shaping — tame boomy lows on an acoustic guitar without dulling the highs, control aggressive mids while keeping the mix open — flexibility that full-band compressors simply cannot offer.

Control for Mixing and Mastering
With independent low, mid, and high-band control, the 1973 excels in both creative mixing and critical mastering applications.

On vocals, the low band adds body, the mid band smooths harshness, and the high band enhances clarity while naturally controlling sibilance. In mastering, you can tighten the low end, lift the top, or reveal midrange detail — all without pumping, breathing, or sacrificing headroom.

“This is not only a great multi-band compressor but one of the nicest hardware dynamics processors we have used in some time.”
— MusicRadar

Clear, Intuitive Layout
Unlike many multiband compressors, the 1973 is designed for speed and clarity. Each of the three bands uses identical controls arranged logically from left to right, separated by adjustable crossover points.

Large illuminated VU meters and dedicated output controls provide immediate visual feedback, making it easy to work quickly and confidently.

Mix Control for Effortless Parallel Compression
The built-in Mix control makes parallel compression simple. Blend the compressed (wet) signal with the original (dry) signal using a single knob, fine-tuning the balance between punch and transparency.

Add more dry signal for natural dynamics, or introduce more wet signal for density and impact — powerful parallel compression without external routing or complexity.

Award-Winning Performance
Combining musical response, precision control, and effortless operation, the Drawmer 1973 brings the power of true multiband compression into any studio. Since its introduction, it has received multiple industry accolades, including the Resolution Award 2014 for Dynamics and the KEYS musik und computer Award 2015 for Best Studio Tool.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim