S-Type 500 VU
Stereo VCA Compressor
S-Type 500 VU is a transparent stereo buss compressor inspired by legendary British console designs, delivering controlled dynamics, low noise performance, and musical glue with flexible sidechain filtering.
IGS 500 Series modules distil the brand’s analog design philosophy into the compact API format, offering powerful, space-efficient tools without compromising sound quality or build integrity. Each module delivers classic tone with modern reliability.
All IGS 500 Series modules are precision-crafted in Europe.
S-Type 500 VU is a transparent stereo buss compressor inspired by legendary British console designs, delivering controlled dynamics, low noise performance, and musical glue with flexible sidechain filtering.
ONE LA 500 is a high-voltage tube optical compressor for the 500-series, delivering smooth, musical leveling with iconic simplicity, transformer-balanced tone, and unmistakable analog warmth for vocals and instruments.
RB 500 ME is a mastering-grade stereo passive equalizer in double-slot 500 format, combining classic 1960s EQ curves, transformer-balanced I/O, and class-A drive for precise, musical tone shaping.
TUBECORE 500 is a true vari-mu tube compressor for the 500-series, offering rich harmonic compression and smooth dynamics control for tracking or mastering when used individually or as a matched stereo pair.
NE573 is a classic transformer-balanced Class-A microphone preamp inspired by vintage British designs, delivering punch, weight, and unmistakable analog character for vocals, drums, and instruments.
573EQ is a four-band inductor equalizer inspired by the legendary 1073, delivering musical low end, precise midrange control, and open, airy highs with modern stepped precision.
A-Type 500 is a fully discrete compressor/limiter inspired by classic American feedback designs, offering fast, musical dynamics control with intuitive operation in a compact and reliable 500-series format.
576 Blue Stripe is a FET compressor inspired by the iconic 1176 Revision A, combining ultra-fast transient response, Class-A tone, and modern features including a versatile Slam Mode.
572 Red Stripe is a tube mic and instrument preamp for the 500-series, delivering rich saturation, stepped precision, and versatile recording options including transformer-balanced I/O and front-panel Hi-Z input.
Bison 500 is a Mid/Side processor with parallel blend control, transforming dual-mono compressors into powerful stereo and M/S dynamics tools for creative mixing and spatial control.
EQM500 is a passive midrange equalizer inspired by 1950s American designs, delivering musical body, presence, and precise resonance control across vocals, instruments, and full mixes.
iQ505 is a five-band fully parametric equalizer in 500-series format, offering wide frequency coverage, transparent tone shaping, and surgical precision for corrective and creative studio applications.
Photon 500 is an optical compressor inspired by classic 1960s designs, delivering smooth, program-dependent gain reduction through opto-coupled dynamics and transformer-balanced output stages.
Alter 500 is a FET compressor for the 500-series, offering stepped control, fast attack and release options, and Slam Mode for aggressive, punchy, or controlled compression styles.
Rubber Bands 500 is a compact passive equalizer inspired by vintage Pultec designs, delivering musical low-frequency shaping, transformer-balanced character, and true bypass in a single-slot format.
Vanad 500 is a transformer-balanced mic and instrument preamp for the 500-series, offering stepped gain control, tonal flexibility, and a convenient front-panel Hi-Z input for modern studios.
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I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my… Read more
I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.
We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.
The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.
We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.
Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.
I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used… Read more
I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.