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S-Type 500 VU

Stereo VCA Compressor

The S-Type 500 VU is a stereo bus compressor inspired by the iconic dynamics of legendary British large-format consoles. Designed around a modern THAT VCA and ultra-fast, balanced op-amp signal paths, it delivers transparent compression with exceptionally low noise. With RMS detection, high-headroom circuitry, and a built-in sidechain high-pass filter, the S-Type 500 allows mixes to breathe while maintaining punch and cohesion. From subtle glue on the stereo bus to aggressive parallel compression, it provides precise control and musical results across a wide range of professional applications.

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Classic Console Compression, Modern Precision
The S-Type 500 VU faithfully captures the character of classic British bus compression while employing modern components for consistency, reliability, and clarity. The use of a THAT integrated circuit replaces the now-unavailable DBX design, ensuring transparent dynamics control with minimal noise.

Stereo Control with Creative Flexibility
Both channels are summed to control the VCA stages simultaneously, guaranteeing stable stereo imaging. A large gain-reduction meter provides clear visual feedback, while the MIX control enables parallel compression, making it easy to blend aggressive dynamics with the original signal for impact and depth.

Advanced Sidechain Capabilities
An onboard sidechain high-pass filter allows low frequencies to pass uncompressed, preventing unwanted pumping and preserving low-end energy. The external sidechain input further expands creative routing possibilities, making the S-Type 500 equally at home in mixing, mastering, and sound-design workflows.

The Go-To Stereo Bus Tool
From gentle cohesion to assertive punch, the S-Type 500 delivers the familiar “glue” heard on countless records. It is designed to sound musical across all settings, making it a dependable and expressive compressor for demanding professional environments.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim