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Vanad 500

Microphone Preamplifier

Vanad 500 is a characterful microphone and instrument preamplifier designed for the API 500-series format. Featuring transformer-balanced input and output with IGS Custom transformers, it delivers weight, clarity, and musical saturation across a wide range of sources. Fully stepped controls ensure precise gain staging and repeatable settings, while separate gain and output switches allow the preamp to be driven creatively without overloading downstream gear. With support for microphones, line-level sources, and a front-panel Hi-Z instrument input, Vanad 500 is a versatile, tone-forward preamp built for professional recording environments.

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Preamplification with Character
Vanad 500 is designed to bring depth, presence, and musical color to any recording chain. Built in the API 500-series standard, it combines classic transformer topology with modern reliability, making it equally suited for tracking and tone shaping.

Transformer-Balanced Signal Path
IGS Custom transformers on both the input and output provide proper isolation, headroom, and harmonic richness. This design ensures a solid low end, smooth midrange, and controlled high frequencies, even when the preamp is pushed.

Stepped Controls for Precision Gain Staging
All front-panel controls are fully stepped, allowing precise adjustments and easy recall. Separate gain and output switches give engineers full control over saturation and level, enabling creative drive without compromising signal integrity.

True Versatility for Any Source
Vanad 500 handles dynamic, condenser, and ribbon microphones with ease, while also accommodating line-level signals and instruments. A convenient front-panel Hi-Z input makes it ideal for guitars, basses, and keyboards, while microphone inputs are accessible from both the front and rear panels.

Built for Everyday Studio Work
Whether used for vocals, instruments, or re-amping duties, Vanad 500 delivers consistent, characterful results and integrates seamlessly into any professional 500-series setup.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim