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NE573

Microphone Preamplifier

NE573 is a classic Class A transformer microphone preamp recreated for the 500-series format, delivering the punch, weight, and musical authority heard on countless iconic recordings. Built around original-style architecture, it operates at true 24-volt power and features IGS Custom input and output transformers, Grayhill switches, and an original Motorola transistor in the output stage. With switchable input impedance and a buffered instrument input, NE573 adapts effortlessly to modern studio workflows while preserving the unmistakable tone of the golden era. It is a powerful, versatile preamp designed for engineers who value character, impact, and authenticity.

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Classic Class A Architecture
NE573 is designed around a pure Class A signal path, faithfully following the topology of the original design that shaped decades of recorded music. Its circuit prioritizes tone, headroom, and musical saturation over modern shortcuts.

Authentic Components, Authentic Sound
The preamp operates at 24 volts and uses carefully selected components identical in behavior to the original units, including IGS Custom transformers, Grayhill switches, and a Motorola transistor in the output stage. These elements are central to the unmistakable punch and midrange authority.

Vintage Tone, Modern Flexibility
Switchable input impedance allows precise microphone matching, while the buffered instrument input makes NE573 equally effective for guitars, basses, and synths. This versatility transforms a vintage-voiced preamp into a modern studio workhorse.

A Proven Sonic Legacy
NE573 captures the sound responsible for some of the most celebrated records ever made, delivering bold transients, rich harmonics, and unmistakable presence in a compact 500-series format.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim