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Bison 500

Parallel Mixer Width MidSide Processing

BISON 500 is a compact Mid/Side and parallel processing tool designed to transform any dual-mono compressor setup into a powerful stereo imaging processor. Built for the 500-series format, it allows engineers to route their favorite mono or dual-mono compressors into a Mid/Side matrix with an integrated dry/wet control. With just one switch and one knob, BISON 500 delivers enhanced stereo width, punch, and depth while preserving clarity. Simple, flexible, and intuitive, it adds advanced processing capabilities to existing compressors without altering their original character.

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Mid/Side Processing Made Effortless
BISON 500 enables any pair of mono compressors to operate in Mid/Side mode. With a single switch, the left channel controls the Mid information, while the right channel processes the Side content. This allows precise control over stereo width, center focus, and spatial balance without complex routing.

Bring Your Own Compressors
Two stereo jack send and return connectors on the front panel make it easy to integrate external compressors directly into the Mid/Side matrix. Engineers can pair and experiment with different compressor types to shape stereo dynamics creatively.

Parallel Compression Control
The onboard dry/wet knob introduces effortless parallel processing. This makes it possible to add impact, density, and energy to a mix while retaining the natural dynamics of the unprocessed signal.

Minimal Controls, Maximum Impact
Designed for speed and clarity, BISON 500 uses a one-switch, one-knob interface that encourages experimentation without distraction, making it an ideal utility module for mixing, mastering, and creative sound design.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim