The Pro Range represents Drawmer’s most time-honoured engineering — the processors that shaped studios, stages and broadcast rooms for generations. From the benchmark DS201 noise gate to the iconic DL241 and DL441 auto compressors, and the incredibly versatile MX30 and MX60 processors, these units have defined professional audio workflows for decades. They remain trusted worldwide for their reliability, musicality and precise dynamic control.
Every unit in the Pro Range reflects Drawmer’s uncompromising standards, designed and hand-built in the UK to deliver the authentic Drawmer sound.
The Drawmer DS201 is the definitive dual-noise-gate, prized for its accuracy and musical transparency. Its variable high- and low-pass filters enable frequency-selective gating, making it a staple for precise, creative control in studios, live rigs and broadcast environments.
The Drawmer DL241 delivers intelligent dual-channel dynamics with a gate/expander, compressor and fast peak limiter. Automatic and manual controls work seamlessly together, ensuring consistent results across tracking, mixing, live sound and broadcast applications.
The Drawmer DL441 packs four channels of the classic DL241 circuit into a single 1U chassis, offering musical compression, peak limiting, soft/hard knee options and stereo linking. Exceptional consistency and control for multichannel studio or live workflows.
The Drawmer MX30-Pro is a dual-channel gated compressor/limiter that delivers dependable dynamics shaping at an accessible price point. Smooth, musical and versatile, it’s ideal for project studios and live venues needing all-in-one control without compromise.
The Drawmer MX60-Pro channel strip combines a refined mic preamp, adaptive gate, de-esser, compressor, limiter, EQ and multi-band tube saturation. It offers a complete front-end solution with the warmth, intelligibility and control demanded in modern recording and live sound.
Get in touch with our team for expert advice, pricing, and availability.
I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my… Read more
I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.
We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.
The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.
We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.
Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.
I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used… Read more
I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.
