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DL241

Dual Auto Compressor

The Drawmer DL241 Dual Auto Compressor is a professional dynamics processor combining compression, expansion, and peak limiting in a single, highly intuitive unit. Designed for broadcast, live sound, and studio use, it delivers transparent, musical dynamics control with intelligent automation that adapts smoothly to the incoming signal.

Featuring Drawmer’s Programmed Adaptive Expansion, soft-knee auto compression, and a zero-response-time peak limiter, the DL241 provides reliable control over both subtle dynamics shaping and absolute signal protection. Comprehensive metering and flexible operating modes make it a dependable choice for engineers who require precision, speed, and consistency across a wide range of audio applications.

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Compressor, Expander & Limiter
The Drawmer DL241 Dual Auto Compressor is a next-generation dynamics processor designed to deliver transparent, musical control across broadcast, live sound, and studio applications. Combining intelligent automation, intuitive operation, and comprehensive metering, it sets a benchmark for professional analogue dynamics processing.

Advanced automatic functions allow engineers to achieve consistent, polished results quickly, without sacrificing flexibility or control. The DL241 delivers smooth, natural dynamics with the unmistakable Drawmer sonic character.

Expander / Gate
Drawmer’s Programmed Adaptive Expansion circuitry provides smooth, single-control operation by automatically adjusting ratio, attack, hold, and release in response to the incoming signal. This intelligent behaviour eliminates chatter around the threshold while maintaining natural, musical gating.

With an 80 dB operating range and a variable threshold from +20 dB to –70 dB, the Expander/Gate offers exceptional control. Fast and Slow release modes tailor the response to the source — Fast for tight, percussive material and Slow for vocals or instruments with longer decays and fade-outs. A dedicated LED clearly indicates gate activity.

Auto Compressor
The Auto Attack/Release Compressor combines soft-knee smoothness with precise ratio control to deliver transparent, musical compression across a 10 dB range. Rather than engaging abruptly at the threshold, the compression ratio increases progressively, ensuring consistent and unobtrusive dynamic control.

Both Manual and Auto modes are provided. Auto mode is ideal for complex, dynamically varied material such as full mixes or expressive performances, while Manual mode allows detailed adjustment for subtle shaping or more assertive compression effects.

Peak Level Limiter
The DL241 features a zero-response-time, zero-overshoot peak limiter that provides absolute control over signal peaks. Adjustable from 0 dB to +16 dB above system level, it contains excessive transients instantly, preventing distortion and protecting downstream equipment.

This ultra-fast limiting performance makes the DL241 equally suited to mastering, live sound reinforcement, and system protection duties where reliability and precision are critical.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim