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ME-250DX

Stereo Mastering EQ

The ME-250DX by Z&H Designs is a mastering-grade tribute to the legendary Sontec MEP-250, refined for modern precision and recallability. Featuring fully stepped controls, over 100 frequency points, and ultra-fine 0.5 dB increments, it delivers transparent, spacious equalization with surgical accuracy. Powered by ±28V all-discrete op-amps and independent 56V linear power supplies per channel, the ME-250DX achieves exceptional headroom, ultra-low distortion, and pristine resolution. An onboard analog Mid/Side processor expands workflow flexibility, while meticulous stereo matching under 1% ensures mastering-level consistency. This is classic analog tone elevated to uncompromising mastering standards.

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Sontec Heritage, Mastering Precision
ME-250DX builds upon the legendary Sontec MEP-250 topology, refined with fully stepped controls for absolute recallability. With over 100 selectable frequency points and 0.5 dB gain increments, it delivers surgical accuracy while maintaining the spacious, natural musicality Sontec designs are known for.

All-Discrete High-Voltage Circuitry
Equipped with 12 high-performance discrete op-amps running at ±28V and powered by independent 56V linear supplies per channel, the ME-250DX achieves exceptional slew rate, massive headroom, and distortion below 0.001%. Resolution remains intact even at aggressive settings.

Integrated Mid/Side Processing
A premium analog M/S encoder/decoder is built directly into the unit, enabling precise mid and side equalization. Channels can be independently bypassed in both Left/Right and M/S modes for maximum mastering flexibility.

Mastering-Grade Stereo Matching
Each unit is hand-calibrated and stereo-matched to within less than 1% accuracy. When measured, both channels track nearly identically, ensuring reliable imaging and tonal balance for critical mastering work.

Effective, Musical Control
Five true parallel bands per channel, stepped Q settings, shelf options on high and low bands, and selectable ±5 dB or ±10 dB gain ranges allow both subtle shaping and bold tonal sculpting without sounding processed.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim