Springtime
Analog Studio Reverb
SPRINGTIME is a four-channel analog spring reverb delivering rich, musical ambience with independent wet/dry control and three-band EQ per channel for flexible studio use.
IGS reverb processors distil classic analog ambience techniques into expressive studio tools, delivering depth, dimension, and natural spatial character. Designed for musical realism and creative flexibility, they integrate seamlessly into modern production environments.
Every IGS reverb unit is carefully crafted in Europe.
SPRINGTIME is a four-channel analog spring reverb delivering rich, musical ambience with independent wet/dry control and three-band EQ per channel for flexible studio use.
The Drawmer 1961 is a hybrid valve/solid-state EQ that blends modern reliability with twelve active tube stages, delivering smooth, expressive tone shaping and classic warmth across both channels.
Get in touch with our team for expert advice, pricing, and availability.
I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my… Read more
I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.
We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.
The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.
We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.
Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.
I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used… Read more
I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.