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MULTICORE

Multiband Compressor

The Multicore is a flexible, three-band analog VCA compressor designed to shape dynamics with precision and musicality. Its active crossover divides the signal into Low, Mid, and High bands, allowing each range to be compressed independently without introducing phase issues. This makes it powerful on mix buses, in mastering chains, or when treating individual sources such as vocals—where sibilants can be controlled without affecting low-end punch. Each band features dedicated threshold, ratio, attack, release, and gain controls, plus a Mute/On/Bypass switch for focused monitoring. With transformer-balanced I/O, high-grade components, and exceptional stereo correlation, the Multicore delivers clean, controlled, professional-level compression.

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A Three-Band Compressor Built for Control
At the heart of the Multicore is an adjustable active crossover that separates the audio into Low, Mid, and High bands with a gentle 6 dB/oct slope. This ensures musical shaping of each frequency range while avoiding unwanted phase interactions. Because each band has its own compressor module, you can fine-tune dynamics in ways impossible with a single-band design.

Independent Compression for Every Band
Threshold, Ratio, Attack, Release, and Gain settings are available on all three compressors, giving you complete authority over transient design and tone. Each band also includes a Mute/On/Bypass switch, allowing isolated monitoring or creative processing by disabling specific frequency ranges.

Built for Professional Reference and Precision
The Multicore uses transformer-balanced inputs and outputs (UTM Industry) and a fully THT-based signal path. All passive components are matched for superior left/right consistency, ensuring reliable stereo imaging. Low noise, high headroom, and minimal crosstalk make the unit suitable for mix buses, mastering, or any application requiring uncompromising audio integrity.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim