Skip to content

576 Blue Stripe

Rev A FET Compressor

576 Blue Stripe is a modern reissue of the classic FET compressor inspired by the legendary 1176 Revision A. Built around the same high-quality input transformer and a pure Class A output stage, it delivers fast, aggressive compression with rich harmonic character. Featuring an ultra-fast 20 µs attack time, multiple ratio options including a musical 2:1 mode, and an explosive SLAM mode, the 576 Blue Stripe covers everything from subtle dynamic control to extreme peak limiting. Designed for versatility and impact, it excels on vocals, drums, and dynamic instruments across modern and vintage workflows.

WhatsApp us

Classic FET Compression, Reimagined
576 Blue Stripe draws direct inspiration from the revered 1176 Revision A, known for its speed, attitude, and unmistakable sonic signature. The design retains the core FET compression topology that defined countless recordings of the 1970s.

Transformer Input and Class A Output
At its front end, the compressor uses the same style of high-quality input transformer responsible for the original’s warmth and harmonic density. A pure Class A output stage ensures clarity, punch, and headroom throughout the signal path.

Ultra-Fast Transient Control
With an attack time of just 20 microseconds, the 576 Blue Stripe captures and shapes transients with surgical precision. This makes it ideal for taming aggressive peaks while preserving energy and immediacy.

Six Compression Modes for Total Control
Six ratio settings provide exceptional flexibility, from gentle 2:1 compression to hard limiting at 20:1. The SLAM mode recreates the iconic “all-buttons-in” behavior, delivering explosive dynamics, saturation, and unmistakable character.

Built for Character and Versatility
Equally effective on vocals, drums, and bus processing, the 576 Blue Stripe balances vintage tone with modern functionality, offering relay-controlled bypass and expanded control options for contemporary production environments.

Ready to Upgrade Your Sound?

Get in touch with our team for expert advice, pricing, and availability.

WhatsApp us
Drawmer logoIGS Audio logoTelegrapher logoExpressive E logoGarbage Ideas logoLooptrotter logoZ&H Designs logoHLabs logoMesanovic logo
Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim