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572 Red Stripe

Full Tube Preamp

572 Red Stripe is a pure tube microphone and instrument preamp designed for the 500-series format, delivering a bold sonic footprint with unmistakable analog character. Featuring transformer-balanced input and output using Sowter and Edcor transformers, it provides rich harmonics, depth, and musical saturation. With fully stepped controls, a wide gain range, and a front-panel Hi-Z input, it adapts effortlessly to microphones, line sources, guitars, and keyboards. From clean, detailed amplification to harmonically driven coloration, 572 Red Stripe offers precision, versatility, and classic tube tone in a compact modular design.

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Pure Tube Signal Path in 500-Series Format
572 Red Stripe is a single-channel tube preamp built around a true high-quality tube topology, using two double-triode tubes (JJ ECC803S and JJ ECC81). This design delivers authentic tube response with depth, weight, and musical saturation.

Transformer-Balanced for Character and Headroom
UK-made Sowter input transformers and American Edcor output transformers provide excellent isolation, wide bandwidth, and a distinctive tonal signature. The transformer pairing contributes to the preamp’s bold low end and harmonically rich midrange.

Stepped Control and Harmonic Flexibility
A 41-step gain switch allows precise level setting while enabling controlled overdrive of the second gain stage for sweet harmonic coloration. A -20 dB interstage pad helps manage gain structure without sacrificing tone.

Built for Real-World Studio Use
572 Red Stripe supports dynamic, condenser, and ribbon microphones, with +48 V phantom power, polarity control, and a low-cut filter. A front-panel Hi-Z DI input (1 MΩ) makes it equally effective for guitars, basses, and keyboards.

Visual Feedback and Practical Design
A backlit analog VU meter, clip indicator, and phantom power LED provide clear visual monitoring, making 572 Red Stripe an intuitive and expressive front-end for professional recording workflows.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim