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Garbage IdeasFK Comp 500

Series Peak Limiter & Saturator

The Garbage Ideas FK Comp 500 is a brutally expressive FET peak limiter and saturator designed for engineers who aren’t afraid to push sound to its limits. Built around an aggressive FET topology and a Class A line amplifier, it delivers unmistakable character and impact. With two distinct modes, FK Comp moves effortlessly from controlled, gritty compression to raw, unapologetic drive. Comp mode adds punch and attitude to dull or lifeless sources, while Drive mode removes the sidechain entirely, allowing the +30 dB line amp to be driven hard for rich, musical saturation. Crucially, the circuit is carefully tuned to preserve high-frequency detail, ensuring clarity even under extreme operation.

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FET Limiting with Attitude
The FK Comp 500 pairs an aggressive FET peak limiter with a Class A line amplifier, designed to inject character, weight, and edge into otherwise lifeless sources.

Two Modes, One Mission
Comp mode adds punch and personality through controlled FET compression, while Drive mode disengages the sidechain entirely, unleashing up to +30 dB of raw Class A gain for unapologetic saturation.

Musical Even When Pushed
Careful tuning of the line stages preserves high-frequency integrity even under extreme drive, ensuring cymbals and transients remain musical rather than collapsing into harsh noise.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim