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OC1

500 Series Opto Compressor

The Drawmer OC1 brings uncompromising optical compression to the 500 Series, combining the smooth, musical response of a classic opto design with the flexibility of a modern studio processor. Featuring full control over threshold, ratio, attack, release, input, output, and parallel mix, it delivers transparent dynamics control for vocals, acoustic instruments, bass, and mix buses. Exclusive BIG and AIR modes refine low and high frequencies during compression, while Drawmer’s CRUSH saturation adds subtle analog warmth and harmonic richness. Stereo linking, precision stepped controls, and comprehensive metering make the OC1 an exceptionally versatile compressor for professional recording and mixing.

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Classic Optical Compression, Modern Control

The Drawmer OC1 delivers the smooth, transparent character of optical compression in a compact 500 Series format without compromising on control or performance. Designed for professional recording and mixing, it provides natural, programme-dependent dynamics processing that preserves musicality while adding cohesion and polish to any source.

Comprehensive Dynamics Processing

Unlike many 500 Series compressors, the OC1 features a complete control set, including Input, Output, Threshold, Ratio, Attack, Release, and Wet/Dry Mix controls. Precision 21-position detented knobs ensure accurate, repeatable settings, while PGM mode intelligently adapts release times to programme material for smoother compression with reduced pumping.

BIG, AIR & CRUSH

Borrowed from Drawmer’s acclaimed 1973 compressor, BIG mode reduces sidechain sensitivity to low frequencies, producing tighter, more natural bass response. AIR mode preserves high-frequency detail and openness throughout compression, while the integrated CRUSH circuit adds harmonic saturation, analog warmth, and enhanced musical presence when desired.

Built for Professional Workflows

Comprehensive VU metering displays gain reduction or selectable input/output levels, while hard-wire bypass guarantees completely transparent signal comparison. Dedicated stereo linking allows adjacent OC1 modules to operate as perfectly matched stereo or multi-channel compressors, making the OC1 equally at home on individual tracks, stereo buses, and mastering chains.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim