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MQ-1

500 Series Equaliser

The Drawmer MQ-1 revives the essence of the iconic Motown sound with a modern, meticulously engineered design. Its seven-band proportional-Q architecture offers effortless, musical tone shaping that feels instantly usable in any tracking or mixing context.

The standout CRUSH circuit adds a layer of harmonic richness, enhancing low-end warmth, midrange presence, and top-end smoothness as you drive the signal. Hand-crafted in the UK, the MQ-1 is built for engineers who value classic analogue character, intuitive workflow, and uncompromising sonic detail.

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Vintage EQ with CRUSH
Inspired by the revered “Motown EQ,” the MQ-1 is a single-channel, seven-band proportional-Q equalizer that brings back the unmistakable character of Detroit’s 1960s recording studios.

Musical Analogue EQ
Built as a fully analogue design, the MQ-1 offers seven bell-shaped bands with ±10dB of cut or boost at the same sweet spots as the classic original. Its proportional-Q behaviour automatically tightens or widens the bandwidth as you add gain, giving you a smooth, natural, and highly musical EQ response.

“The EQ circuit is precisely what most people need in a tracking situation. This is a no-fuss, get-a-good-sound EQ.”
— Garrett Haines, Tape Op

The CRUSH Circuit
The signature CRUSH feature is adapted from the acclaimed Drawmer 1971. When engaged, it adds gentle harmonic saturation, thick low-end weight, enhanced mid presence, and a refined, airy top. Push the gain harder and the saturation increases, delivering an expressive, classic analogue feel.

Hand-Crafted in the UK
Designed and built in the UK, the MQ-1 reflects Drawmer’s commitment to precision engineering and exceptional sonic performance. Whether you’re chasing vintage soul tones or sculpting something modern, the MQ-1 brings unmistakable warmth, depth, and detail to every session.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim