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FC1

500 Series Fet Compressor

The Drawmer FC1 brings the fast, punchy character of classic FET compression to the 500 Series, combining precision control with unmistakable analog attitude. Based on the FET topology from Drawmer’s acclaimed 1970s range, it delivers responsive soft-knee compression that’s ideal for drums, electric guitars, energetic vocals, and transient-rich sources. Comprehensive controls, parallel compression, and programme-dependent release provide exceptional flexibility, while BIG and AIR modes refine low and high frequencies during processing. Drawmer’s CRUSH saturation circuit adds harmonic richness and warmth, and stereo linking makes the FC1 equally capable on mono sources, stereo buses, and multi-channel applications.

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Fast FET Compression with Classic Character

The Drawmer FC1 brings the speed, punch, and musicality of FET compression into a compact 500 Series module. Inspired by the FET circuitry of Drawmer’s renowned 1970s range, it delivers responsive soft-knee feedback compression that adds impact, presence, and energy while maintaining precise dynamic control.

Complete Creative Control

The FC1 features a comprehensive control set rarely found in a 500 Series compressor, including Input, Output, Threshold, Ratio, Attack, Release, and Wet/Dry Mix controls. Precision 21-position detented knobs ensure repeatable settings, while PGM mode intelligently adjusts release behaviour to reduce pumping and produce smoother, more natural compression.

BIG, AIR & CRUSH

BIG mode relaxes the compressor’s response to low frequencies for tighter, more natural bass, while AIR preserves clarity and openness in the top end throughout compression. The integrated CRUSH saturation circuit introduces harmonic richness, analog warmth, and additional character, allowing the FC1 to move effortlessly from transparent control to bold, energetic coloration.

Designed for Professional Studios

Comprehensive VU metering displays gain reduction or selectable input/output levels, while hard-wire bypass ensures transparent signal comparison. Dedicated stereo linking enables adjacent FC1 modules to operate as perfectly matched stereo or multi-channel compressors, making the FC1 an outstanding choice for tracking, mixing, and bus compression.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim