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DS101

500 Series Noise Gate

The Drawmer DS101 is a professional, frequency-conscious noise gate designed specifically for the 500 Series format. Based on a single channel of the renowned DS201, it delivers precise, transparent gating with advanced control in a compact modular design.

Featuring variable high-pass and low-pass filters in the side-chain, comprehensive envelope control, and ultra-fast attack times, the DS101 excels at eliminating unwanted noise and spill while preserving natural transients. With linking via infrared triggering, key input for external control, and switchable gating or ducking modes, it also serves as a powerful creative tool for shaping dynamics in studio, broadcast, and live production environments.

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Compact, Accurate & Transparent
The industry-standard Drawmer noise gate is now available in the 500 Series format. The DS101 is the first noise gate designed specifically for the 500 Series rack and joins Drawmer’s renowned family of professional gates, including the DS201, DS501, and DS404. Anyone familiar with these classics will feel immediately at home.

Built for precision and reliability, the DS101 delivers the same trusted performance engineers expect from Drawmer, in a compact, modular format.

Accurate & Versatile Control
Based on a single channel of the legendary DS201, the DS101 is a frequency-conscious noise gate incorporating Drawmer’s key innovations, including variable high-pass and low-pass filters within the side-chain.

It offers full envelope control with attack, hold, decay, and range, along with advanced features that make it one of the most flexible and capable noise gates in its class.

When two or more DS101 modules are used together, they can be linked via an infrared triggering system. Each gate retains its own envelope settings while sharing a common trigger pulse, making it ideal for stereo operation and creative envelope-follower effects.

Gate with Ease
Noise gating can often be challenging, especially when unwanted spill from nearby sources causes false triggering. Raising the threshold may reduce this, but risks losing quieter details and compromising the performance.

The DS101 addresses this with dual variable side-chain filters. The high-pass and low-pass filters allow precise frequency targeting so the gate responds only to the desired signal. Engaging the key listen function lets you monitor the filter response in real time, ensuring accurate setup and reliable gating.

Comprehensive Envelope Control
With an exceptionally fast attack time, the DS101 opens in microseconds, preserving the natural transients of the source. Its envelope controls allow the gain response to be shaped precisely to suit different material.

On vocals, a fast attack keeps consonants crisp, while a controlled release avoids cutting words short and ensures smooth, natural fades. This prevents abrupt level changes that are often more distracting than low-level background noise.

Creative Sound Shaping
Beyond noise control, the DS101 is a powerful sound-shaping tool. It can modify the attack or decay of recorded material, hide noise tails in samples, and reshape sounds from drum machines or samplers, effectively acting as a triggered envelope shaper.

A dedicated key input allows external triggering, enabling effects such as opening an ambient microphone with a snare signal to create natural gated reverb. Multiple DS101 units can also be linked and independently switched between Gating and Ducking modes, making them ideal for broadcast, voiceover work, and the removal of clicks and pops.

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Testimonials

Our Raving Fans

★★★★★

I picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my…

Read moreI picked up two of their 500 Series modules and I’m blown away. The noise floor is low, the gain is clean, and the knobs feel like they belong on a much pricier unit. They’ve definitely become permanent residents in my signal chain.

Nur Hakim
★★★★★

We needed hardware that looks good in client-facing environments and performs consistently. Their products tick both boxes. The minimalist design is beautiful on camera, and the durability has been excellent.

Cheryl Wong
★★★★★

The dynamics processor is ridiculously good. Smooth compression, no weird pumping, and the controls respond exactly as expected. It’s become my go-to for vocals and acoustic guitars.

Darren Tan
★★★★★

We installed their signal distribution system across two rooms, and it’s been flawless. Zero hum, zero dropouts. The build quality is impressive — you can tell it’s made to last. Easily one of our best purchases this year.

Faridah Sulaiman
★★★★★

Our studio upgraded to their 19″ rackmount units and the improvement was immediate. The layout is intuitive, connections are rock solid, and the unit hasn’t glitched once. Setup took minutes and everything just works.

Asha Ravi
★★★★★

I’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used…

Read moreI’ve been mixing on these studio monitors for the past three months, and the clarity is honestly next level. The stereo imaging is tight, the low end is controlled, and the build feels solid. It’s the first time I’ve used monitors in this price range that actually translate well outside the studio.

Jason Lim